Quilt Display / August 21, 2018 / Halette.
People who do not particularly like to make quilts using material and a sewing machine have found that they can make beautiful quilts by crocheting. When placed on a bed the quilts stand out with their bright colors and complicated designs. It has been found that designs such as Dresden plate are lovely when done by crochet. Anyone who has done any of the basic crochet stitches can complete a crochet quilt. The result is a beautiful creation that unlike a regular handmade or purchased quilt does not need a filler. In addition it has the advantage that it can be turned and the same beautiful pattern is on the other side.
A design wall is a place on a wall where we can hang units of a quilt. This permits the quilter to stand back and scrutinize the design before sewing the quilt. Quilters often dangle batting or plain white flannel on their design walls because quilt blocks tend to stick to it effortlessly without pinning. A design wall is one of the tools that are of immense advantage to any quilt-maker.
In olden days pioneer families that braved the hostile westward trails in hopes of finding new land and new lives had to stock up on supplies as they prepared for their journeys. They needed provisions that would not only assist with their safe passage but would help them to survive when they reached their destinations. Along with several months` worth of food ammunition and clothing it was recommended that every family pack enough bedding to last for a few years with two or three quilts or blankets per person.
With a preface written by Faith Ringgold and a foreword written by Cuesta Benberry also quilters writers and researchers within their own right Spirits of the Cloth can be considered to be an academic work within the field of African American quilting. As a quilter researcher writer historian curator and lecturer regarded as an authority on the subject Dr. Mazloomi`s scholarly work provides the uninitiated with a wealth of information on a topic virtually unknown before the latter quarter of the 20th century. The text highlights 150 quilts referred to by the author as the "stories" of the artists who created them.